Introduction
The paper Plum St: Live Digital Storytelling with Remote Browsers by Ben Taylor and Jesse Allison is really in line with my topic of research, and that’s why I wanted to analyse what it’s their take on Internet Art and Digital Storytelling.
The paper explores the integration of Internet art into remote music performances, focusing on live audiovisual storytelling through web browsers. It discusses the use of socket technology to establish real-time connections between performers and audiences, enabling direct control of audiovisual media within the audience’s browsers. The authors present „Plum Street“ as an example of an online multimedia performance that utilizes various web media, including Google Maps and Web Audio, to convey stories and engage with audiences in a contemporary context.
Summary
These are the main points they go through:
- Context: The paper discusses the evolution of remote music performance paradigms and the emergence of internet art movements, highlighting the use of web-based tools and interactive installations in artistic expression.
- Plum Street: The authors introduce Plum Street as a platform for remote storytelling, leveraging web technologies like sockets and JavaScript to enable real-time interaction with audiences through their web browsers.
- Gesture Distribution: Plum Street enables performers to control audience browsers, creating a distributed performance experience where viewers can actively participate in the narrative.
- Media Components: The performance utilizes various web elements such as HTML, JavaScript, APIs, and Web Audio to craft its narrative, focusing on themes of absence, invisibility, and daily life experiences.
- Conclusion: The paper concludes by highlighting the potential of web browsers as a medium for live performance, particularly in blending electronic music composition with networked media art. It suggests that advancements in technology, such as JavaScript server toolkits and the Web Audio API, offer exciting opportunities for innovative performance paradigms.
Conclusions
The paper underscores the transformative potential of integrating internet art with remote music performance, presenting Plum Street as an innovative example. It emphasizes the significance of utilizing web browsers as dynamic instruments for storytelling and suggests that the convergence of technology and artistic expression in online performances opens new avenues for creative exploration at the intersection of electronic music composition and networked media art. I believe that this is a piece in the puzzle of my research that I can actually take and utilize as one part of my phygital prototype.
Reference
Ben Taylor, and Jesse Allison. 2013. Plum St: Live Digital Storytelling with Remote Browsers. Proceedings of the International Conference on New Interfaces for Musical Expression
