Some new ideas for a master thesis topic based on stage especially converts visuals and motion graphics:
Interactive Stage Design and Technology:
- Exploring the integration of interactive technologies (sensors, motion tracking, etc.) in stage design to enhance the engagement of the audience.
- Investigating how real-time data can influence stage visuals, such as incorporating audience reactions.
Cinematic Techniques in Stage Productions:
- How can cinematic techniques, such as camera angles and movement, be adapted for live stage performances. Exploring the challenges and benefits of this approach.
Digital Storytelling in Live Events:
- How digital storytelling techniques, such as nonlinear narratives or interactive plotlines, can be implemented in live stage productions.
Lighting Design and Emotional Impact:
- The psychological impact of different lighting designs on audience emotions. How can lighting be used to enhance the mood and atmosphere of a performance?
My inspiration:
My inspiration for this topic were two very previous concerts i visited – RIN and Shirin David. But especially the stage visuals at RIN’s concert spoke to me. I recorded a lot of videos, not only because of the music and the artisit RIN, but because i loved the motion graphics and how his visuals supported the songs and show. There were a lot of interactive aspects, for example often a live camera tracked the artist and projected his silhouette, but different styles were added to the material. At the end of this blog entry are some of my filmed footage – just to document the videos:
Why it it important to have stage visuals:
Having interactive and visually captivating stage elements at a concert is crucial as they play a pivotal role in enhancing the overall artistic expression and emotional resonance of the performance. These visuals go beyond mere embellishments; they serve as dynamic companions to the artist and their music, forging a deeper connection with the audience. Interactive stage visuals create a multisensory experience, amplifying the impact of the songs by providing a visual narrative that complements the auditory journey. In doing so, they contribute to a more immersive and memorable concert experience, making it not just a sonic event but a visual and emotional journey. Furthermore, innovative stage visuals can help artists convey their artistic identity, reinforce thematic elements within their work, and engage the audience on a visceral level. As technology continues to advance, the integration of cool and interactive visuals in live performances becomes an invaluable tool for artists to distinguish their concerts, leaving a lasting impression on attendees and fostering a sense of connection between the performer, the music, and the audience.
Disadvantage? Literature?
Up to this point i found it really hard to find any solid scientific literature in this field. Which for me makes it really hard to have a starting point or more like a theoretic background and the beginning of the master thesis. Some ideas i would have for this problem is to interview artists, potentially some stage visual artists or in general people who did work in this area. For this i would have some connections to a few people who work at Universal Music in Berlin and a friend who already did some stage visuals for an artist, but only to a very small extent.