#1 Impuls: to be woman & the crazy bitch

As I was looking for inspiration one day I came across this video. These types of videos are not a new way of editing or portraying female rage/ female experiences. These „Fan edits“ are video clips that are edited together in a video with an underlying message. In this case: the portrayal of what it means to a woman. These Fan often consist of recognisable dialogues from movies, as well as music that deals with the topic in its lyrics. If you scroll through tiktok and searhc female rage, you will stumble upon many videos that consist of these features. Dialogues from „Barbie“, „Black swan“, „Hidden Figures“ are often used to portray these feelings. There even is a whole genre that fits into these categories. Songs like „Labour“ by Paris Paloma or „Abbey“ by Mitski are often used for these edits.

Scolling through the comments under this video showed once more that this is not a individual phenomenon. Girls are raised in the patriarchy to become a woman. The idea of a woman in the patriarchy is an idea that no one can live up to. Therefore women often do not feel good enough.

Anya Taylor Joy is one of the many actors who spoke up about female age on set and film. She recons a scene in „The menu“ where she slaps her partner. This was not in the script – The script said that she sits silently while a tear is running down her face, even though her partner betrayed her and that would mean that she dies. More actors open up about their real feelings on set and let that also fit into their character on screen. Expressing emotions how they would feel is a way to change these norms and the scene.

THE CRAZY BITCH

One of the many trends on Tiktok as I said alfready id the rise of female rage. One of the starting points for this trend was a scene in the movie “Pearl” where the character played by Mia Goth gets rejected at an audition. Instead of claiming the rejection and leaving the stage she screams “Please! I’m a star!!!!!”. The edits of women in film in distress are flooding social media, espacially tiktok. They’re a series of clips compiled into a video where female characters are screaming venom through their tears. As the name suggests, they’re full of rage.

Often these emotional outbursts are a response to male characters or injustice.

These edits are followed by music like Lana Del Rey’s Pretty When I Cry, Mitski’s Liquid Smooth, Tchaikovsky’s Swan Lake. Music is one of the  key element in these edits that enhances the extreme emotions and blood-curdling screams. The most common films that appear in these edits are Pearl, X, Gone Girl, Jennifer’s Body, Don’t Worry Darling, and Thirteen – just to name a handful. 

The edits feature lines from these films that evoke strong emotions, such as: “It’s my life, you don’t get to take that from me,” “I work like a dog, day and night,” “Why are you leaving me if I didn’t do anything wrong? I don’t understand, I thought you liked me,” “What is wrong with me? What the fuck is going wrong inside my head,” “Where do you think I learned all this shit from?”

Extreme phrases like this would have once been shameful to relate to, yet now the comment sections are full of phrases like: “female rage is so powerful,” “she’s so me,” “I love women,” and “real.”

Sources: https://www.directhermag.co.uk/2024/05/31/female-rage-a-tiktok-trend-that-reclaimed-the-crazy-bitch-trope/

#08 About Oscar And The Globes

On Tuesday, the Oscar nominations for the 96th Academy Awards were announced. The box office hit „Barbie“ received eight nominations, including two for the songs „What Was I Made For?“ by Billie Eilish and „I’m Just Ken,“ performed by actor Ryan Gosling. The film also secured a nomination in the „Best Picture“ category. However, Gerwig did not receive a nomination in the „Best Director“ category, and Robbie, who portrays the plastic doll Barbie in the movie, is not among the nominees for „Best Actress.“

„Barbie“ actor Ryan Gosling criticizes that director Greta Gerwig and co-star Margot Robbie were not nominated for an Oscar. The 43-year-old was quoted by the portals „Variety“ and „People“ saying, „There is no Ken without Barbie, and there is no Barbie movie without Greta Gerwig and Margot Robbie. To say that I am disappointed they are not nominated in their respective categories would be an understatement.“

The fact that „Oppenheimer“ has surpassed „Barbie“ in the nominations seems to exacerbate the situation. Christopher Nolan’s film premiered simultaneously with „Barbie“ in July, leading to a quick rivalry between the two films on the internet, despite their vastly different themes. The contrasting narratives of the two movies sparked numerous memes and discussions under the title „Barbenheimer.“ „Oppenheimer“ is a gray historical film about the „Father of the Atomic Bomb“ Robert Oppenheimer, criticized as „patriarchal“ and „full of toxic masculinity“ by the „Team Barbie“ supporters. On the other hand, „Barbie“ depicts a colorful Barbie matriarchy where Barbie finally gets a voice, highlighting the completely opposite storytelling approaches of the two films.

The Golden Globes and all the jokes

It seems like Jo Koy’s jokes about „Barbie“ not only fell flat but were also deemed sexist. In the opening monologue, the comedian remarked, „Oppenheimer is based on a 721-page Pulitzer Prize-winning book called ‚The Manhattan Project.‘ Barbie is a plastic doll with big breasts.“ The response from director Greta Gerwig spoke volumes. The comparison between the serious subject matter of „Oppenheimer“ and the superficial portrayal of „Barbie“ in Koys’s joke may have been perceived as inappropriate, with Gerwig’s reaction suggesting disapproval or discomfort with the comments. Sexist remarks can often draw criticism for perpetuating stereotypes and diminishing the achievements or significance of certain subjects.

AND ONCE AGAIN:

Jo Koy’s joke about „Barbie“ revolves around a pivotal moment in the film, where the character transitions from perfect beauty to bad breath, cellulite, and flat feet. The comedian adds a humorous touch by stating, „or as casting directors say: character actor.“ The joke seems to have resonated well, landing like a bomb, especially with Selena Gomez and Dame Helen Mirren, who presumably found it amusing. Comedy often relies on exaggeration and unexpected twists, and in this case, Jo Koy used the contrast between the traditional concept of beauty associated with Barbie and the reality of human imperfections for comedic effect.

All the jokes even though one of the significant moments in barbie was this monologue from America Ferrera:

It is literally impossible to be a woman. You are so beautiful and so smart, and it kills me that you don’t think you’re good enough. Like, we have to always be extraordinary, but somehow we’re always doing it wrong.

You have to be thin, but not too thin. And you can never say you want to be thin. You have to say you want to be healthy, but also you have to be thin.

You have to have money, but you can’t ask for money because that’s crass. You have to be a boss, but you can’t be mean. You have to lead, but you can’t squash other people’s ideas.

You’re supposed to love being a mother, but don’t talk about your kids all the damn time. You have to be a career woman but also always be looking out for other people.

You have to answer for men’s bad behavior, which is insane, but if you point that out, you’re accused of complaining. You’re supposed to stay pretty for men, but not so pretty that you tempt them too much or that you threaten other women because you’re supposed to be a part of the sisterhood.

But always stand out and always be grateful. But never forget that the system is rigged. So find a way to acknowledge that but also always be grateful. You have to never get old, never be rude, never show off, never be selfish, never fall down, never fail, never show fear, never get out of line.

It’s too hard! It’s too contradictory and nobody gives you a medal or says thank you! And it turns out, in fact, that not only are you doing everything wrong, but also everything is your fault.

I’m just so tired of watching myself and every single other woman tie herself into knots so that people will like us. And if all of that is also true for a doll just representing women, then I don’t even know.“