by lea.haas -

#06 Poor Things

Like I wrote in my previous blog posts cinema mirrors societal norms and especially the portrayal of women has been a subject of interest. One cinematic piece that bravely delves into the complexities of female emotions, particularly female rage, is „Poor Things“. I went into this film with zero expectations but was left speechless after I saw it. This film not only highlights the raw intensity of women’s emotions but also serves as a canvas for the exploration of the female gaze, providing a refreshing perspective on storytelling.

The Unapologetic Rage of Women

„Poor Things“ invites viewers to witness the unapologetic rage of its female protagonist, mirroring the suppressed emotions that women have carried for centuries. Directed by Yorgos Lanthimos, the film breaks away from conventional narratives and embraces the power of feminine fury, challenging stereotypes and demanding a reevaluation of societal expectations.

The central character embodies the frustration and anger that women often suppress in the face of adversity. Her journey becomes a poignant exploration of the multifaceted nature of female rage, from quiet rebellion to explosive outbursts. The film encourages audiences to empathize with the struggles women face, shedding light on the resilience required to navigate a world that often dismisses or silences their voices.

A Cinematic Ode to the Female Gaze

„Poor Things“ not only addresses female rage but also offers a unique perspective through the lens of the female gaze. Traditionally, cinema has been dominated by the male gaze, shaping narratives from a male perspective. However, this film challenges the status quo, providing a narrative that is not only driven by a female protagonist but is also seen through her eyes.

The female gaze in „Poor Things“ is characterized by a nuanced portrayal of relationships, desires, and societal expectations. It subverts the traditional norms of objectification and instead focuses on the empowerment and agency of the female characters. Through this lens, the film invites viewers to reevaluate their own perspectives and question ingrained biases in the portrayal of women on screen.

Breaking Stereotypes and Redefining Narratives

„Poor Things“ becomes a catalyst for change in the cinematic landscape, contributing to the ongoing conversation about the representation of women in film. By embracing female rage and the female gaze, the film challenges stereotypes and offers a more authentic portrayal of women’s experiences.

As we continue to dissect and discuss the impact of cinema on societal perceptions, „Poor Things“ stands as a testament to the power of storytelling in reshaping narratives. It encourages a more inclusive and diverse representation of women, paving the way for future films to explore the depth and complexity of the female experience.

In conclusion, „Poor Things“ is not just a film; it’s a statement. A bold declaration that demands attention to the unspoken, the overlooked, and the rage that simmers beneath the surface. It’s a call for a cinematic revolution where the female gaze takes center stage, breaking free from the confines of stereotypes and offering a truer reflection of the diverse stories that women have to tell.

by lea.haas -

#04 Female Rage

The narrative of female rage in film has evolved significantly throughout history, reflecting changing societal attitudes towards gender, power, and expression. In earlier cinematic narratives, female anger was often subdued or expressed through subtleties due to prevailing cultural norms and censorship.

  • Early Cinema (1920s-1950s): Female characters were typically confined to specific roles, and their anger was often portrayed as repressed or channeled into quieter forms of resistance. For instance, characters like Scarlett O’Hara in „Gone with the Wind“ or Joan Crawford’s Mildred Pierce depicted rage simmering beneath the surface due to societal constraints.
  • 1960s-1970s: This era saw some shifts as films like „Bonnie and Clyde“ or „Thelma & Louise“ showcased women pushing back against societal norms and expressing anger more openly. These narratives explored female rage as a response to oppression or injustice.
  • 1980s-1990s: Films like „Fatal Attraction“ and „Basic Instinct“ sometimes depicted female rage through the lens of mental instability or as a dangerous force, often tying anger to a negative portrayal of female characters.
  • Contemporary Cinema: The portrayal of female rage in recent years has become more diverse and nuanced. Films like „Mad Max: Fury Road“ and „The Hunger Games“ franchise present strong female protagonists who express rage as a response to systemic oppression and personal trauma. These narratives delve into complex emotions and showcase women’s resilience and strength.

Throughout these periods, the narrative of female rage in film has shifted from subdued or villainized portrayals to more empowered and multifaceted representations. These narratives often explore the reasons behind the anger, addressing issues such as gender inequality, abuse, or societal expectations, providing a platform for nuanced storytelling and challenging traditional gender roles. The evolution of these narratives reflects a broader cultural shift towards acknowledging and validating women’s experiences, including their anger, as an integral part of their stories.